Focus on Spain - From Doodles to Pixels

From Doodles to Pixels I. Doodles

From Doodles to Pixels I. Doodles

Různí / various | Spain | 81 min

The programme starts out with a short film by Segundo de Chomón, the illustrious pioneer who worked in Spain, France and Italy. His short The Gold Spider is one of the most admirable pieces in his filmography with some stunning animation sequences for the time. Some vintage promotional spots using nitrate film were collected for this event, such as Radio RCA (ca. 1935) by Enrique Ferrán, created in Barcelona during the Second Spanish Republic. A few ads by the prolific Mr. Serra i Massana and other satirical artists whose names are unknown, La bronca (The Scolding) and Cambo i l’autonomia (Cambó and the Self-government, ca. 1918), were also restored. These films demonstrate the strength of on-screen graphic humour. K-Hito (En los pasillos del congreso, 1932) and Josep Escobar (El fakir Gonzalez) were both writers and directors. During this period, political, social comics were all the rage. Later, Javier Mariscal (Chico & Rita) and Calpurnio Pison, two other popular contemporary cartoonists, started making animated films based on the trademark characters Los Garriris and Cuttlas.

L’Araignée d’or | The Gold Spider, Segundo de Chomón, 1908, 8 min 40 sec

En los pasillos del congreso | The Corridors of Congress, K-Hito (Ricardo García), 1932, 2 min

Alimentos de régimen Santiveri | Santivery Diet Grocery, Josep Serra i Massana, 1932–35, 2 min 11 sec

Tabú, colorete en polvo | Tabú Face Powder, Josep Serra i Massana, 1933, 1 min

Radio RCA, Enrique Ferrán, kolem / circa 1935, 2 min

El fakir González buscador de oro | Fakir Gonzáles, the Gold-digger, Joaquim Muntañola, 1942, 8 min 12 sec

Juanito va de caza | Juanito Goes Hunting, Salvador Mestres, 1942, 8 min

El cascabel de Zapirón | Zapirón’s Cascabel, Josep Escobar, 1943, 8 min

Don Cleque flautista | Flautist Don Cleque, Jaume Baguñà, 1944, 8 min 12 sec

Garabatos: Manolete | Doodle: Manolete, Jaume Baguñà a Manuel Díaz, 1943–44, 8 min

Los tambores de Fu-Aguarrás | Drums of Fu-Aguarrás, Josep Escobar, 1945, 9 min 10 sec

El bueno de Cuttlas | The Good Cuttlas, Calpurnio Pisón, 1991, 8 min 48 sec

Amarillo verano | Yellow Summer, Javier Mariscal, 2013, 4 min 40 sec

Tu 03/05/2016
14.30-15.51

Puppet Theatre

Chico & Rita

Chico & Rita

Fernando Trueba, Tono Errando, Javier Mariscal | Spain, United Kingdom | 2010 | 94 min

The visuals and partially also the plot of this film are reminiscent of comic books. It is a romantic story of a jazz musician called Chico and his love interest, singer Rita. Their love story begins in the late 1940s in Cuba and gradually moves to America and Europe. Their adventure of eternally searching for mutual love unfolds in tradition of the best melodramas. Their lives are also affected by the Cuban revolution of 1959. A very important role in the film is played by its soundtrack, whether we hear jazz or popular Latin American songs. Jazz has been chosen deliberately by the authors as it was an important source of inspiration for Cuban music and culture in general. The film adaptation of this classical romance made use of contemporary musicians who excel at their instruments in the way the musicians of the 1940s and 1950s did. The film is an expression of the passion for Cuban culture shared by directors Fernando Truebo, Tono Errando and Javier Mariscal, one of the most successful Spanish artists and animators. But as Trueba says: "You don't have to be an expert in the history of Cuba and American jazz to enjoy our film." The film was nominated for the world's most watched award, the Oscar.

Tu 03/05/2016
21.00-22.34

Masaryk Square

From Doodles to Pixels III. Modern Times

From Doodles to Pixels III. Modern Times

Různí / various | Spain | 82 min

Together with industrial development and the expanding middle class, advertising began to flourish and found a language in animation that was able to attract these new consumers. Estudios Moro, based in Madrid, became “the” company for advertising films in Spain, producing thousands of animated and live action commercials, created by such names as Pablo Núñez, Paul Casalini, Marcel Breuil and Francisco Macián. While commercials generally took their cues from America, they were given a more stylish, modern and jazzy look, similar to that of UPA studio. The illustrator José Luis Moro and his producer brother, Santiago, best reflect this trend, and together they wrote one of the most exciting chapters of Spain’s popular culture. This programme highlights some of the best work to come out of Moro studio, whether from its stock of internationally acclaimed commercials or the unforgettable Vamos a la cama (Time for Bed, 1965). Attention is also devoted to the later decades, with films by Robert Balser, Julio Taltavull and, closer to home, Isabel Herguera, Adriana Navarro, Carles Porta and Miguel Gallardo.
 
Estudios Moro commercials, 1954–64, 16 min 29 sec
 
Vamos a la cama | Time for Bed, José Luis Moro, 1965, 36 sec
 
El sombrero | Sombrero, Robert Balser, 1964, 8 min 15 sec
 
La doncella guerrera | The Virgin Warrior, Julio Taltavull, 1974, 11 min 39 sec
 
William Wilson, Jorge Dayas, 1999, 10 min 28 sec
 
La gallina ciega | The Blind Hen, Isabel Herguera, 2005, 7 min 17 sec
 
Las vidas ejemplares | Exemplary Lives, Carles Porta, 2008, 11 min 24 sec
 
El viaje de María | María’s Voyage, Miguel Gallardo, 2010, 5 min 42 sec
 
Vía Tango | The Tango Railway, Adriana Navarro, 2013, 3 min 21 sec
 
Onemoretime, José González, Tonet Calabuig a Elisa Martínez, 2014, 5 min

We 04/05/2016
17.30-18.52

Schwarzenberg Hall

The Apostle

The Apostle

Fernando Cortizo | Spain | 2012 | 80 min

The film tells the story of an escaped convict named Ramon who takes the Way of St. James to get to a remote village in the mountains where he wants to retrieve loot he hid there years ago. At first glance, it may seem that the abandoned village is inhabited only by a few old people but in the end it turns out that the village has been cursed for over 600 years. Ramon soon figures out that the seemingly harmless elders are in fact looking for souls they could trade with Death himself and that he has jumped out of the frying pan right into the fire. And that is only the beginning of Ramon’s adventures on his quest to retrieve the treasure.

The story is told in a very thrilling way reminiscent of detective stories by Agatha Christie. It also briefly touches on the values and traditions of a culture several hundred years old adhering to the myths and the stories of the millions of pilgrims who have walked the Way of St. James to Santiago de Compostela since the 11th century.

The Apostle was nominated for Goya Award in 2013, and has won numerous awards including the audience awards at the Annecy, Cinanima, and Monstra festivals.

We 04/05/2016
19.30-20.50

Schwarzenberg Hall

From Doodles to Pixels V. The Artist’s Trace

From Doodles to Pixels V. The Artist’s Trace

Různí / various | Spain | 76 min

During the 1970s, the industry started to recover by adapting to the needs of the small screen, although some creatives were more attracted to the art scene, seeing animation as a medium for bringing all the arts together. Spain certainly had a few big names working in the field including Ivan Zulueta (a key figure in Spain’s underground filmmaking scene), Jose Antonio Sistiaga and Rafael Ruiz Balerdi (two of the founding members of the Gaur group of Basque modern artists, created in 1966), Frederic Amat (whose film Estela was made especially for this programme of films), Marcel.lí Antunéz (founding member of La Fura dels Baus theatre troupe) and the tandem of video artists David Bestue and Marc Vives. That is not to forget Minotauromaquia (2004), the extraordinary plasticine interpretation of the universe of one of Spain’s greatest artists, Picasso, as well as the new generation of artist-animators such as Izibene Oñederra, Alberto Vazquez and Laura Ginès who, like Juan Pablo Etcheverry or Mercedes Gaspar, come from the fertile field of fine arts. 
 
Get Back, Ivan Zulueta, 1969, 5 min 20 sec
 
Homenaje a Tarzán | A Tribute to Tarzan, Rafael Ruíz Balerdi, 1970, 4 min 41 sec
 
No sé | I Don’t Know, Nicéforo Ortiz, 1985, 5 min 35 sec
 
Impresiones en la alta atmósfera | Impressions from the Upper Atmosphere, José Antonio Sistiaga, 1988–89, 6 min 32 sec
 
20 días de amor | Twenty Days of Love, Etxegaraico Goti (José Félix González Placer), 1991, 4 min 8 sec
 
Las partes de mí que te aman son seres vacíos | The Parts of Me that Love You Are Empty Beings, Mercedes Gaspar, 1995, 8 min 55 sec
 
Geroztik ere… (And since then...) | Since then..., Begoña Vicario, 1999, 1 min 55 sec

Minotauromaquia: Pablo en el Laberinto | Minotauromachy: Pablo in the Labyrinth, Juan Pablo Etcheverry, 2004, 9 min 14 sec
 
Estado de cambio | State of Change, David Betsue y Vives, 2010, 6 min 35 sec
 
Hotzanak, For Your Own Safety, Izibene Oñederra, 2013, 5 min 24 sec
 
Cromo | Chrome, Marcel.lí Atúnez, 2013, 3 min 54 sec
 
Sangre de unicornio | Unicorn Blood, Alberto Vázquez, 2013, 8 min 17 sec
 
Tengo miedo | I’m Afraid, Laura Ginès, 2014, 3 min 30 sec
 
Estela, Frederic Amat, 2015, 1 min 53 sec

Th 05/05/2016
20.00-21.16

Puppet Theatre

From Doodles to Pixels VIII. Next Generation

From Doodles to Pixels VIII. Next Generation

Různí / various | Spain | 63 min

This programme is a collection of shorts produced in Spain over the past ten years, some of them by young Spanish filmmakers who are already known worldwide, such as Rocío Alvaréz, Dvein, Blanca Font, Busto Algarín and Nicolai Troshinsky. Selected for your viewing pleasure: Raúl Arroyo’s film I Pass by Here Every Day (2004) and other noteworthy shorts like the stop-motion based on a horrifying story from the beginning of the 20 th century in Barcelona, The Twin Girls of Sunset Street (2010), the fifth part of Jossie Malis’s Bendito Machine (2014), Zepo (2014), a tragic story told through sand animation which was in competition last year, The Giant (2012), a poetic tale about fatherhood and finally The Chinese Princess (2014) by Tomàs Bases, one of the most talented Spanish filmmakers working in 3D.
 
Cada día paso por aquí | I Pass by Here Every Day, Raúl Arroyo, 2004, 8 min 38 sec
 
Les bessones del carrer de Ponent | The Twin Girls of Sunset Street, Anna Solanas and Marc Riba, 2010, 13 min
 
Crik-Crak, Rocío Alvaréz, 2011, 1 min 22 sec
 
O Xigante | Giant, Júlio Vanzeler and Luis da Matta, 2012, 10 min 35 sec
 
Astigmatismo | Astigmatism, Nicolai Troshinsky, 2012, 4 min
 
The Vein: Magma, Dvein, 2013, 1 min 28 sec
 
The Day I Killed my Best Friend, Blanca Font and Busto Algarín, 2013, 6 min 10 sec
 
Zepo, César Díaz Meléndez, 2014, 3 min 08 sec
 
Bendito Machine V: Pull the Trigger | The Blessed Machine, Jossie Malis, 2014, 11 min 54 sec
 
Princesa china | The Chinese Princess, Tomàs Bases, 2014, 4 min 56 sec

Fr 06/05/2016
13.00-14.03

Schwarzenberg Hall

Wrinkles

Wrinkles

Ignacio Ferreras | Spain | 2011 | 89 min

This hand-animated story is based on a comic book by Paco Roca which won the Spanish National Award for Best Comic Book of the Year in 2008. The film won the Goya Award for Best Animated Film and Best Screenplay. The comic book author Paco Roca himself helped to create the film’s artistic style.
Wrinkles portrays the friendship between Emilio and Miguel, two aged gentlemen shut away in a care home. Emilio, a new arrival in the early stages of Alzheimer, is helped by Miguel and colleagues to avoid ending up on the dreaded top floor of the care home, also known as the “lost causes” or assisted living floor. Their wild plan infuses their day-to-day tedium with humour and tenderness, because although their lives are coming to an end, this is just a beginning.
The graphic artists managed to convincingly portray the characters’ gestures and facial expressions and faithfully depict life in a care home. The film’s realistic score significantly supports its believability so the viewers get a chance to realise what people in such institutions feel and what it's like to be old and discarded.

Fr 06/05/2016
17.30-18.59

Roháč - ČT Hall

From Doodles to Pixels VI. Humor and Carnage

From Doodles to Pixels VI. Humor and Carnage

Různí / various | Spain | 70 min

El Papus magazine produced the first animated feature for adults in 1979, Historias de amr y masacre, made up of shorts by the most caustic artists of their time – Oscar, Gila, Iva, Perich, Chumy Chuméz and Jordi Amoros (JA) – joined together by the latter. This is the least politically correct and the most aggressive programme in the cycle. As all the bad did not disappear during the democratic transition, we’ve included later works that are political or social in nature, some reflecting conspiracy theory paranoia, controversial subjects like immigration, consumerism, domestic violence or abuse of power. To whet your appetite, we’ve included two of the oldest shorts in the programme dealing with political themes in a satirical manner: La bronca (The Scolding) and Cambo i l’autonomia (Cambó and the Self-government), dating back to the early twentieth century. You can also enjoy the work of Sam created before Possessed and films as recent as the iconoclast Amor de mono by the Madrid collective Trimono.
 
La bronca | The Scolding, Anonimo, 1917, 1 min 23 sec
 
Cambó a autonomie | Cambó i l’autonomia | Cambó and the Self-government, Anonimo, 1918, 40 sec
 
La edad de piedra | Stone Age, Gabriel Blanco with drawings Chumyho Chuméze, 1965, 11 min 9 sec
 
Pasión siega (excerpt from Historias de amor y masacre) | Blind Passion (excerpt from History of Love and Massacre), Jordi Amorós, 1979, 13 min
 
Caracol, col, col | Slain Snail, Pablo Llorens, 1995, 12 min
 
Cirugía | Surgery, Alberto Gonzáles Vázquez, 2006, 2 min 20 sec
 
Vicenta, Sam, 2010, 22 min 13 sec
 
Amor de mono / Monkey Love, Trimono, 2015, 4 min

Fr 06/05/2016
23.30-00.40

Sa 07/05/2016
23.30-00.40

Světozor Cinema

From Doodles to Pixels II. Under the Yoke: The Enchanted Sword

From Doodles to Pixels II. Under the Yoke: The Enchanted Sword

José Mariá Blay, Arturo Moreno | Spain | 1945 | 68 min

To carry out this project, Balet y Blay studios brought in cartoonist Arturo Moreno and handed over the script to Julian Pemartin, author of Teoria de la Falange. Garbancito is a young Catholic orphan boy who lives in a barn with his goat Peregrina. One day, the ogre Caramanca kidnaps his friends and, just like Don Quixote, he courageously sets off to save them. While the film was influenced by the Fleischer brothers and Disney’s Silly Symphonies, the soundtrack, composed by Jacinto Guerrero, gives it a typically Spanish air. The film was popular before it even hit the screens, due to the story written by the same two authors. It was also given a higher budget than live action films made at the time, which was quickly recouped through its range of accessory products. Shot in Barcelona with a crew of professionals who were learning as they went along, the film was sent to London for editing. The rolls of film were then flown over wartime Europe once again, escaping the bombardments, and the feature was released in theatres in 1945.
 
Garbancito de la Mancha | The Enchanted Sword , Arturo Moreno, Spain, 1945, 68 min

Sa 07/05/2016
08.30-09.38

Světozor Cinema

From Doodles to Pixels VII. Destino Hollywood

From Doodles to Pixels VII. Destino Hollywood

Různí / various | Spain | 57 min

Adept at spotting the most talented artists, Disney called on Dali in the 1940s to draw up a film that would be made much later, Salvador Dalí, Destino (2003). Over the years, big studios abroad have counted on Spanish artists and other professionals in various animation sectors: Amblimation (Raul Garcia), Disney (Carlos Baena, Lorelai Bove), Pixar (Rodrigo Blaas, Charlie Ramos), DreamWorks (Grangel Studio, Victor Vinyals) and Aardman (Pascual Perez). Among the films we have included in this selection are works by Guillermo García Carsí, the creator of Pocoyo, the innovative series watched by millions of little ones all over the world, the first short made by Charlie Ramos (at a time when working at Pixar was just a dream), a silly fake commercial by Adria Garcia and Victor Maldonado (now at the head of Headless Studio) called Nocturna (2007), Enrique Gato’s first short, in which his eponymous hero Tadeo Jones came to life, and Ignacio Ferreras’ How to Cope With Death (2002), which won him the recognition he needed to make his first feature, Wrinkles (2011), based on the graphic novel by Paco Roca.
 
The Metamorphosis Part 1, Charlie Ramos, 1998, 7 min 50 sec
 
Top Gum, Victor Vinyals, 2001, 2 min 20 sec
 
How to Cope With Death, Ignacio Ferreras, 2002, 3 min 2 sec
 
Tadeo Jones, Enrique Gato, 2004, 10 min
 
The Tell-Tale Heart, Raúl García, Španělsko / Spain, USA, 2005, 10 min
 
Alma | Soul, Rodrigo Blaas, Spain, USA, 2009, 5 min 21 sec
 
Doomed: A Biological Cartoon!, Guillermo García Carsí, 2011, 10 min 25 sec
 
Historias de Éste | History of the East, Pascual Peréz, 2011, 7 min
 
Strange Oaks, Headless Studio, 2013, 1 min 9 sec

Sa 07/05/2016
15.30-16.27

Schwarzenberg Hall

From Doodles to Pixels IV. Macián, the maestro

From Doodles to Pixels IV. Macián, the maestro

Francisco Macián | Spain | 1966 | 72 min

The distinguished Spanish animator Francisco Macián (Barcelona, 1929–1976) created his own studio in Barcelona in 1955 where he made commercials for Estudios Moro. In 1966 he directed his first feature: El mago de los suenos (The Dream Wizard), inspired by Andersen’s fairy tale Ole Lukøje. This story and its characters, the Telerins, became popular in Spain thanks to a promotional film Vamos a la cama (Time for Bed, 1965) for TVE (Television Espanola). Macián’s film, full of Disney references, was driven by the work of Salvador Mestres, Jaume Vila, Jordi Gim, Albert Rue and Carmelo Garmendia y Vicar (also the creator of the El Mago character), as well as the modern and identifiable character designs by Jose Luis Moro. The soundtrack features children’s voices as well as artists from the era, among them Los 3 Sudamericanos, Chicho Gordillo, Ennio Sangiusto and Los de la Torre. Josep Solà wrote the score and, despite the fact that this was his first opera and considering the technical difficulties they ran into during production, it is some of the best-loved music in Spanish animation history. Two of Macián’s commercials from the 1950s will be screened before the film.
 
Buena mesa (aceite Koipe) | Good Table (Koipe Oil), Francisco Macián, 1955–57, 1 min 8 sec
 
Sinfonía escarlata (tomate Corchero) | Scarlet Symphony (Corchero Tomatoes), Francisco Macián, 1958, 1 min 10 sec
 
El mago de los sueños | The Dream Wizard, Francisco Macián, 1966, 70 min

Su 08/05/2016
09.00-10.12

Světozor Cinema