Online catalogue

Marie Nováčková’s graduate film was made at the University of West Bohemia under the tutelage of Jiří Barta. The black and white music video is full of weird creatures marching through a gloomy and mysterious world. The visuals excellently resonate with the Czech band’s post-rock style mixed with electronics.

This unusual, black and white, minimalist and yet cheeky slapstick from the American prairies was made as an official music video for the song from the album House of Sugar. The author used likeable stylisation of characters ironically reminiscent of characters from classic cartoons that experience various unexpected adventures.

Very Noise is the synthesis of many testimonies of stroke victims that the authors have collected over the past few years. This experimental 3D computer animation is an excellent example showing that CGI offers many more possibilities than filmmakers generally explore and that its shapeability can be used to add unexpected absurdity to images.

Bathwell in Clerkentime completes the trilogy about cuckoos from Clerkenwell going nuts. In this third and final episode they face mid-life crises, marriage problems, raising kids and alcohol addiction.  For the conclusion of his trilogy, the author used his signature silhouette style. 

“By train, by car, by bike, or by sharks, the cats are coming!” This playful and rhythmical music video for March of the Thinking Machines was made by versatile Berlin-based artist Adi Gelbart. In his music video, he exploits the endless maniacal popularity of cats of all shapes and sizes and uses photographs to put them in leading roles in a thrilling adventure in which humanity doesn’t stand a chance against the cat invasion.

There’s a small forgotten village, a place that feels like it was left in the attic. Everything and everyone are waiting, staring, sinking into the ground. And then there’s a march… This originally stylised music video characterised by visual thickening of the complete image is a collaboration of two illustrators and filmmakers from Hamburg.

This captivating music video building on a strong film-like atmosphere was done in frame-by-frame animation and was visually influenced by works of Jonas Mekas and Stan Brakhage. The author gained experience in the famous Polish studio Se-Ma-For.

This lively animated music video full of visual ideas and original stylisation explores the helplessness of people trapped in a hectic age and everyday stereotype. Where else to run than the future and how else to run than in your mind?

The Closing Door is a visually attractive music video for the song of a popular Irish singer that takes you on a mysterious journey with the simple movements of a brush and black ink. Its Estonian author uses a black and white style and frames the music video with abstract sequences.

A peaceful family evening is disturbed by an intruder and it soon turns out that monsters are around every corner. This visually inventive and ambitiously animated music video takes place in multiple dimensions connected by a young boy’s mind. Distinctive graphic artist Ugo Bienvenu alludes to the visuality of pop-culture phenomena such as the film Heavy Metal or the series Stranger Things.